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Iranian filmmaker Abbas Kiarostami dies at 76

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Abbas KiarostamiParis : Iranian director Abbas Kiarostami, whose 1997 film “Taste of Cherry” won the Palme d’Or at the Cannes Film Festival, is dead. He was 76.

Iran’s Isna news agency confirmed his death, reports variety.com.

Kiarostami, who died here, had been receiving treatment for gastrointestinal cancer and had travelLed to France for a series of operations.

Often applying a non-narrative and experimental approach, the poetic and highly visual filmmaker was revered by cineastes around the world.

Born in Tehran, he started the film department at Kanun, Iran’s Institute for the Intellectual Development of Children and Young Adults. He made his first film, “Bread and Alley” while running the institute.

Kiarostami stayed in Iran after the revolution, while other filmmakers of the Iranian New Wave left the country to seek more creative freedom. The 1990 “Close-Up,” which mixes fact and fiction and jumbles chronology, is considered to be one of his masterpieces.

He first made an impression outside his home country with the Koker trilogy including “Where is the Friend’s Home?,” “Life, and Nothing More…” and “Through the Olive Trees.” He also wrote and produced Jafar Panahi’s directing debut “The White Balloon.” “Taste of Cherry” was his seventh feature and shared the Cannes prize with Shohei Imamura’s “The Eel.”

His 1999 “The Wind Will Carry Us” incorporated more humour, but continued his elliptical, poetic approach.

After political challenges drove him to work outside of Iran, he made “Certified Copy” in Italy, starring Juliette Binoche, who won best actress at Cannes for her role.

His last full-length feature, 2012’s “Like Someone in Love,” was made in Japan and screened in official competition in Cannes.

Kiarostami and his films had a special relationship with the Busan festival in South Korea. He first appeared in Busan in 1997 with “Like Summer.” He returned repeatedly with other titles including “The Taste of Cherry,” “The Wind Will Carry Us,” and “ABC Africa.” He was president of the festival’s main competition jury in 2005 and was a founding faculty member of Busan’s proposed Asian Film Academy.

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Lockdowns in China Force Urban Communities to Defy Censorship and Vent Frustration Online

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Anyip Mobile Proxies

Shanghai’s rich middle class is leading a wave of online dissent over the strict and prolonged lockdowns imposed in various parts of the country. Chinese internet censorship is struggling as patience is wearing thin in many urban centers, coming up with creative forms of online protests.

Social Media Posts Revealing Lockdown Tension in Shanghai

Drawn-out lockdowns are nothing new in China as authorities insist with the nation’s zero-Covid policy since the start of the pandemic. Currently over This time around, however, metropolitan areas like Shanghai are increasingly difficult to keep quiet, given that its more than 25 million residents have seen weeks of total isolation along with food shortages and many other service interruptions.

Dozens of towns and reportedly over 300 million Chinese citizens have been affected by lockdowns of different severity. As expected, urban netizens have been most outspoken over their difficulties by finding creative ways to get around state censorship and bans placed on topics, news comments and spontaneous campaigns.

Shanghai residents have been using mobile proxies and hijacking seemingly unrelated hashtags to talk about healthcare issues, delivery failures and the overall severity of their situation. The “positive energy” that the Chinese government wants to transmit during the recent prolonged series of lockdowns does not come naturally to those counting food supplies and online censors are working hard to filter words, trending topics and undesired social media sharing.

WeChat groups and message threads are under constant monitoring. Posts questioning the zero-Covid approach have been quickly deleted, including by leading Chinese health experts like Dr. Zhong Nanshan. Video footage is soon censored and protests and investigations are quickly made to disappear.

Where this has not worked, officials have exposed banners with warnings and outright threats like “watch your own mouth or face punishment”, while drones have been patrolling the city skies. Yet, if anything, this has led to further tensions and unspoken confrontation with Shanghai’s educated and affluent middle class.

Creative Online Solutions Harnessing Civic Energy

Announcements by Chinese social media that they would be publishing the IP addresses of users who “spread rumors” have not helped either. Tech industry research has shown that much of Asia’s tech-savvy population has a habit of using mobile proxies and other privacy tools, quickly finding workarounds to browse the internet freely and talk to the world about the hottest topics.

The sheer volume of forbidden posts is already a challenge for the very censorship system, experts explain. Unable to track all trending hashtags, state workers overlook topics that speak about the US, Ukraine or other popular news. Linking human rights elsewhere to their situation, Chinese online dissidents establish their informal channels and “hijack” the conversation to share personal or publicly relevant information about the Covid suppression in their town.

Sarcastic and satirical posts still dominate. Others hope to evade the censors by replacing words from famous poems or the national anthem. One thing is certain – social media, when harnessed with the right creativity, has proven its ability to mount pressure on the government in even some of the most strictly controlled tech environments like China.

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